György Kovásznai: A Cold War Artist. Animation. Painting. Freedom
The first UK retrospective of the work of the Hungarian artist, film-maker and animator displayed hi...
Fox Talbot: Dawn of the Photograph
This exhibition tells the story of the birth of photography, exploring the vision of the Victorian i...
Katie Paterson: ‘As a child, I used to practise daydreaming’
With her largest UK show to date currently on at the Lowry, the artist talks about the relationship ...
Robert Irwin: All the Rules Will Change
This exhibition looks at work the artist produced from 1958 to 1970, a time when he reconsidered the...
Elizabeth Price: ‘I’m interested in music and the voice because it bri...
Studio International visited the artist in her studio in south-east London to talk to her about her ...
Stephen Prina: ‘The exhibition was really about considering whether I co...
The post-conceptual artist talks about his hometown, studying with John Baldessari at California Ins...
Ettore Spalletti: Every dawn, is first / Ogni alba, è la prima
His voice is singular, his pieces united in simplicity: painted columnar forms that point to classic...
David Claerbout: ‘I sculpt in duration’
The artist talks about duration, place and history in his practice, and how he sees his way of worki...
For his second exhibition at Sadie Coles, the young American artist eschews canvas and paper, drawin...
Georg Baselitz: Wir fahren aus (We’re off)
This major exhibition, the artists first major solo show at White Cube, includes new large-scale pai...
Martine Syms: ‘I am interested in the idea of the gulf between your live...
The Los Angeles-based artist talks about semiotics, funkadelic Afrofuturism, and how to create a 90-...
William Heath Robinson’s Life of Line
With a wit all of his own Heath Robinson captured everything from the sublime to the ridiculous, and...
There were dogs, a screaming blow-up baby and a real donkey, but there were also museum-quality inst...
Gillian Wearing: ‘I don’t have any typical practice. Every project is ...
The artist talks about the ideas behind her latest film project, A Room With Your Views, which bring...
From the Collection: 1960-1969
From a shiny Jaguar E-Type, explosions of colour and a trip through a more muted palette, MoMA has s...
Sara Greenberger Rafferty: ‘What is more essential than how one faces th...
The multimedia artist talks about constructing the self through the language of clothing...
Charles Richardson – interview: ‘There must be some sort of desire in ...
Charles Richardson talks about his current show at Exeter Phoenix, collaborating with local artists,...
Jules de Balincourt: ‘I can’t be painting bouquets of flowers and pret...
The painter’s uncanny worlds reflect the post-9/11 zeitgeist with a beguiling charm. The world is ...
Michael Benson: ‘Science is about trying to increase that zone of what w...
Benson fuses art and science to conjure spectacular images from raw data collected by Nasa and ESA. ...
Bosco Sodi: ‘I like the freedom of letting the mind and soul go on a jou...
Bosco Sodi talks about the two processes in his work: the one where he is in control and the one whe...
Asya Dodina and Slava Polishchuk: ‘Material dictates the way you relate ...
The Russian immigrant artists talk about the difference between art education in the former Soviet U...
Steven Claydon: interview, Art Sheffield 2016
Steven Claydon’s newly commissioned Infra-idol Assembly is set within the vast, bunker-like, top-f...
Beatrice Gibson: interview, Art Sheffield 2016
London-based artist Beatrice Gibson’s film F for Fibonacci, at Bloc Projects, evokes the chaos of ...
Mark Fell: interview, Art Sheffield 2016
Mark Fell’s Structural Solutions to the Question of Being is being exhibited at The Link pub on th...
Martin Clark: interview, Art Sheffield 2016
Martin Clark, the director of Bergen Kunsthall, Norway, has created Art Sheffield 2016: Up, Down, To...
Art Sheffield 2016: Up, Down, Top, Bottom, Strange and Charm
For this citywide event, curator Martin Clark aims to inspire a connection between different parts o...
François Morellet: ‘Art is frivolous even when it takes itself seriousl...
Two exhibitions by François Morellet, at London’s Mayor Gallery and Annely Juda Fine Art, mark th...
Controlled but creative, formulaic but somehow free, hypnotic in their undulation and unique in thei...
The biennial festival returns for its seventh edition with more than 220 contemporary artists from a...
Random International: ‘There is a real collective power in this group of...
Hannes Koch of Random International talks about the collective’s latest project, producing a kinet...
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