Cat Dunn – interview: ‘I wanted artists who understood the traumas ass...

Cat Dunn, the curator of Crafted Selves: The Unfinished Conversation, at St Andrews Museum in Scotla...

Tania Pérez Córdova: Generalization

Tania Pérez Córdova’s work addresses the passage of time, the nature of materials, and how we as...

Artes Mundi 10

The biennial art prize for international activist artists celebrates its 10th birthday with seven no...

Alia Farid: ‘The vessel shapes speak of the different cultural and trade...

The industrialisation of water infrastructure and its damaging environmental impacts underpin Alia F...

Rushdi Anwar: ‘My work is a reflection on the hypocrisy of politics and ...

At the opening of Artes Mundi 10, Rushdi Anwar, a Kurdish-born artist who now divides his time betwe...

Reimag(in)ing the Victorians in Contemporary Art

This rigorously researched and curated, yet aesthetically delightful, exhibition forces the visitor ...

Ofelia Rodríguez: Talking in Dreams

Though she lived abroad for most of her life, her exuberant use of colour and fantastical visions sh...

Real Families: Stories of Change

Bringing together portraiture from modern painters and setting them against historic depictions, thi...

José Parlá – interview: ‘I was experiencing flashbacks to my dreams ...

Following a life-and-death experience, José Parlá, the New York-based Cuban artist, explores diffe...

El Anatsui – interview: ‘My inspiration comes from things people have ...

As his huge installation begins at Tate Modern’s Turbine Hall this month, El Anatsui talks about A...

Nicole Eisenman: What Happened

A thrilling survey of American artist Nicole Eisenman injects the venerable medium of painting with ...

Elisa Giardina Papa: Flock – She Preferred the Lineage of Goats and Ducks

In a series of new ceramic works, video and works on paper, Elisa Giardina Papa explores the myths a...

Renoir in Guernsey, 1883

One hundred and forty years ago, Auguste Renoir spent five weeks in Guernsey. He made at least 15 pa...

Rory Pilgrim – interview: ‘I hope the work I create is like a permacul...

This year’s Turner Prize nominee talks about choosing between a career in music and art, the Dutch...

Philip Guston

This strait-laced, work-focused retrospective affirms Philip Guston’s place as one of the 20th cen...

Edvard Munch: Magic of the North and Edvard Munch: Trembling Earth

Two major exhibitions celebrate Munch’s works this autumn. One draws attention to his time in Berl...

Farah Al Qasimi: Abort, Retry, Fail

In her first solo UK show, Al Qasimi’s photographs and video work respond to our escapist tendenci...

Matt Rugg: Connecting Form

In the first major retrospective of the British abstract artist and teacher, his playful curiosity f...

Bartosz Beda: interview: ‘In chaos, there is always some kind of order’

Bartosz Beda, whose solo show Echoes of Seasons is at the Art Gallery of Collin College in Plano, T...

A Spirit Inside

Anchoring this jewel of a show is a diminutive work by Dora Carrington and, like the rest of the sel...

Avery Singer – interview: ‘Art got me through some really dark places ...

Avery Singer was 14 on 9/11 and what she witnessed took its toll on her mental health. Her experienc...

Marina Abramović takes over London

Marina Abramović: ‘Four months ago I was in a coma… if I’d died, I’d be the only dead femal...

Hiroshi Sugimoto: Playing With Fire

Hiroshi Sugimoto, known for his meticulously crafted photographs, here extends his experimentation w...

Sarah Lucas: Happy Gas

Raucous, bawdy, sweary and crude, this major survey comprises works that are not always easy to stom...