search

James Capper: the making of Six Step

We visited James Capper over the course of four months, first filming him in his London studio where...

From Selfie to Self-Expression

Advertised as the world’s first exhibition dedicated to the history of the selfie, From Selfie to ...

Sam Cornish: ‘We started with this idea that all works would have to con...

The co-curator of Kaleidoscope: Colour and Sequence in 1960s British Art discusses how this relative...

Maeve Brennan: The Drift

Premiering at the Chisenhale Gallery, Brennan’s film The Drift (2017) depicts restorative labour a...

Caroline Walker: ‘Who we perceive to be the maker of an image affects ho...

Caroline Walker’s quietly charged, often luxurious, spaces frame half-told narratives that complic...

Naeem Mohaiemen: It is Not Necessary to Understand Everything

Tensta Konsthall is showing Bangladeshi artist Naeem Mohaiemen’s 2011 film, United Red Army, about...

Gillian Wearing and Claude Cahun: Behind the Mask, Another Mask

Defying history, this exhibition reveals crucial parallels between the surrealist Cahun and contempo...

Norman Hyams: ‘I very much believe in losing a painting and finding it’

Norman Hyams talked to Studio International about his painting process before the opening of his fir...

Drawing Biennial 2017

The eighth edition of the Drawing Biennial, which includes more than 200 works on paper, prompts a r...

Marsden Hartley’s Maine

Capping a series of pioneering shows at the Met Breuer that, force majeure, will serve as the new wi...

After Industry

This exhibition of works by Christer Karlstad, Willy Verginer and Jason DeMarte, fittingly staged in...

Jean Painlevé

This is the first UK solo show for fascinating artist Jean Painlevé, who chronicled key moments in ...

Architecture as Metaphor

A mix of sculpture, tapestry, film, photography, painting and collage by 33 artists whose work refer...

Amelie von Wulffen: The Misjudged Bimpfi

For her first solo exhibition in the UK, Amelie von Wulffen deals with themes of guilt, marginalisat...

Saad Qureshi: ‘You can’t really pick your medium. Your medium picks yo...

Saad Qureshi talks about his seduction by charcoal, his fear of being exposed, and his creation of m...

A Painter’s Doubt

In order to understand contemporary painting, curator Séamus Kealy presents the work of nine Europe...

The Japanese House: Architecture and Life after 1945

Featuring more than 40 architects, this exhibition traces 70 years of small-scale innovation to cele...

Oliver Beer – interview: ‘We are very fortunate to live in a time when...

Oliver Beer uses sound, film and sculpture to explore the physical properties and emotional value of...

Whitney Biennial 2017

America loves firsts, and, following a hiatus of three years, the once-unruly Whitney Biennial, now ...

Prabhavathi Meppayil

The Indian artist, brought up in a family of goldsmiths, adapts age-old techniques to make work that...

Helen Johnson: ‘I wanted to resist presenting some sort of unified image...

Australian artist Helen Johnson’s new exhibition at the ICA in London re-examines Britain’s colo...

Michelangelo and Sebastiano

This fascinating exhibition tells the story of two Renaissance greats and their unlikely collaborati...

Tony Oursler: Imponderable

This fascinating exhibition brings together some of the artist’s vast archive of ephemera concerni...

Adrienne Elise Tarver: ‘I think about intrusion and the transition from ...

Adrienne Elise Tarver talks about issues of voyeurism, privacy and identity, and her interest in per...

Rik Wouters: A Retrospective

More than 200 works mark the largest monographic exhibition to date devoted to the Belgian modernist...

Tuneu: Hexacordo

This solo exhibition, which celebrates Tuneu’s 50 years as an artist, brings together his most rec...

Colour is

This group exhibition, including work by Josef Albers, David Annesley, Anthony Caro and Hélio Oitic...

İ Ata Doğruel: ‘I want to destroy the limits between life and art’

Pushing his physical and mental boundaries to the limit, Doğruel seeks to make performances from hi...

Serge Attukwei Clottey: ‘My body is part of my work’s mystery’

Using his body as an object, Ghanaian artist Serge Attukwei Clottey works with international media ...

The American Dream: Pop to the Present

This exhibition pops and sparks, but ultimately goes out with a disappointing fizzle, leaving us to ...

studio international logo

Copyright © 1893–2024 Studio International Foundation.

The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.

twitter facebook instagram

Studio International is published by:
the Studio International Foundation, PO Box 1545,
New York, NY 10021-0043, USA