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Nnenna Okore: ‘My work seeks to highlight Earth’s vulnerability and fr...

Okore’s sculptures are poetic odes to the natural world. But beneath the delicate beauty there lie...

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William Kentridge: ‘One needs sometimes to show the power of the irratio...

William Kentridge talks about his recent performance of Kurt Schwitters’ sound poem Ursonate, dada...

Veronica Ryan: ‘I’m interested in the semantics of perception’

The artist talks about her continuing connection with the sculptures of Barbara Hepworth, and how he...

Arthur Watson: ‘Central to the organisation of the show was that work wo...

The president of the Royal Scottish Academy discusses Ages of Wonder: Scotland’s Art 1540 to Now, ...

Neha Choksi: ‘Transformations necessitate lost pasts and renewals of fut...

Through her latest work, a multichannel video installation entitled Faith in friction that features ...

Zoë Buckman: ‘One role of feminism is to address and reframe how we con...

The London-born, New York-based artist known for incorporating highly personal motifs, such as embro...

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Antony Gormley: ‘Looking back at the paths you have taken is a really im...

The artist talks about collaborating on a major new book about his career, the evolution of his work...

Pamela Schilderman: ‘I really wanted people to think about what it is th...

What makes a portrait? What defines a person’s identity? These are questions at the core of Schild...

Maria Alyokhina: ‘The government media calls us enemies of the people ...

Political activist and Pussy Riot member Maria Alyokhina talks to Studio International at the Saatch...

Stan Douglas: ‘A re-enactment is an event that becomes processed in memo...

Photographer and film artist Stan Douglas talks about his new works, which extend his interest in hi...

Grace Weir: ‘I often think through the camera’

In Irish film artist Grace Weir’s latest exhibition, Unfolded, past and present, the real and repr...

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Juno Calypso: ‘Male critics don’t think women are funny, they don’t ...

London-based photographer Juno Calypso talks about femininity and disappointment in a man’s world...

Zarah Hussain: ‘I don’t think something that’s spiritual precludes t...

Zarah Hussain (b1980, Cheshire, UK) places her work at “the intersection of science and spirituali...

Nicolás Herrera: Enchanted Nature – Deforestation and the Environment

Enchanted Nature: Deforestation and the Environment, on show in Beijing, is an exhibition of 61 draw...

Julie Montgarrett: ‘I have always gravitated to the seductive character ...

Australian artist Julie Montgarrett uses her work to explore the continent’s problematic colonial ...

Pavel Brăila: 'Roots are the most important thing that we have’

After a summer of double Documentas, the Moldovan artist Pavel Brăila is now included in the second...

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Nathalie Du Pasquier: ‘From the beginning, I did not belong to the desig...

In her first comprehensive survey in the US, the artist and designer reveals a diverse and colourful...

Katriona Beales: ‘It’s not the internet that is malevolent, but the wa...

Following the opening of Are We All Addicts Now? at London’s Furtherfield, Katriona Beales, the ex...

James Richards: Music for the gift – Wales in Venice, 2017

Wales has always punched above its weight at the Biennale, and 2017 is no exception. This year – f...

Robert Longo: ‘I’m making artworks out of dust’

At his first solo exhibition in London, New York artist Robert Longo talks about charcoal, photograp...

Ross Birrell: ‘I saw a possible way to draw a relationship between art a...

Ross Birrell talks horses, endurance and taking risks in relation to two works for Documenta, his fi...

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Lucas Arruda: ‘The only reason to call my works landscapes is cultural’

On the occasion of his first London exhibition, at David Zwirner, Lucas Arruda discusses his almost ...

José Pedro Croft: Uncertain Measure – Venice Biennale 2017

For his Portugal Venice Biennale commission, artist José Pedro Croft has made a series of six glass...

Peter Halstead: ‘People should have their own personal adventure with sc...

Cathy and Peter Halstead talk about Tippet Rise Art Center, the remarkable music venue and sculpture...

Shilpa Gupta: ‘I am always playing with the idea of the location in the ...

The Mumbai-based artist Shilpa Gupta talks about her practice, notions of identity and nation states...

Studio Ben Allen: The Clearing

On the first floor cafe/bar of Folkestone’s Quarterhouse, a performance venue for music, theatre, ...

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Jonathan Wright: Fleet on Foot

Local artist Jonathan Wright delved deep into local narratives to devise his tribute to the local fi...

Emily Peasgood: Halfway to Heaven

Emily Peasgood’s sound piece Halfway to Heaven is set in a Baptist graveyard, a high hump of soil,...

Gerfried Stocker: ‘The first time I went to Ars Electronica Festival was...

Gerfried Stocker talks about going from being a media artist influenced by Ars Electronica to becomi...

Chris Alton: ‘By bringing different artists together, there is the possi...

Curator and artist Chris Alton talks about his latest venture, You’re Surrounded By Me, which weav...



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