Hedy Ritterman: ‘My motivation was to confront mortality, identity and l...
Ritterman talks about how her current exhibition, which includes more than 700 of her late husband...
Susannah Stark: ‘I like to create something that bears the trace of mult...
The artists talks about cultural memories, Spolia, swamps and Icelandic necropants...
Gerasimos Floratos’s expressive paintings combine shapes and colour from his daily life in New Yor...
Hugo McCloud: ‘I respect the beauty in the things that are overlooked’
The emerging artist Hugo McCloud, whose layered abstract paintings concentrate on process and materi...
Carl Andre: Sculpture As Place, 1958-2010
This tribute to the 20th-century US artist includes sculptures, poems, photographs and works on pape...
Caragh Thuring: ‘It’s a sort of standoff – how am I going to deal wi...
The Brussels-born artist discusses reconstructing old paintings as tapestries to create new work, wh...
This exhibition highlights the paintings of four artists working at a crucial turning point in Austr...
Mette Edvardsen: ‘If forgetting is important, then so is remembering’
The dancer, choreographer and performer talks about memorising books and then retelling them, and ex...
Taking over two floors of the Met Breuer, this stunning career retrospective insinuates the African ...
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There is a quiet revolution happening in paint. But, paradoxically, Painters’ Painters seems out t...
Kong Ning: ‘Being a witness mentally scarred me’
Multidisciplinary artist and environmental activist Kong Ning is based in Beijing. Born in Heilongji...
Frank Stella: The Kenneth Tyler Print Collection
Focusing on the rich seam of Stella’s prints, this show gives an insight into the remarkable colla...
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In only his second solo show, the 82-year-old artist explores the potential of the column as a site ...
Peggy Franck: With no hands. Like a sea
For her first exhibition at Arcade gallery in London, Peggy Franck has installed her paintings, phot...
Bloomberg New Contemporaries 2016
Since 1949 New Contemporaries has hand-picked graduate and emerging artists to present them to the p...
George Ridgway graduated last year from the Glasgow School of Art. His work traverses painting and i...
Kate Fahey is concerned with slowing down how we interact with images. In the age of Google, where o...
This exhibition, the first full-scale retrospective of Rauschenberg’s work since his death in 2008...
South Korean artist Seungjo Jeong creates pared-back canvases that explore the relationship between ...
Roman Ondák: The Source of Art is in the Life of a People
In a show lasting 100 days and symbolising 100 years, the celebrated conceptual artist Roman Ondák ...
In five new works at Sadie Coles HQ, the controversial American painter clothes the history of art i...
Palpable relief that the sky was not falling in freed this year’s 78,000 fairgoers to act out Tom ...
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Fabienne Verdier: ‘I am an intrepid woman, a bit of a rebel maybe’
Verdier explains her unique method of vertical painting, using a handmade brush with a large reserve...
Roger Hiorns – interview: ‘It isn’t enough to put an artwork in the ...
Roger Hiorns explains his methods of exploration and excavation, and why he believes art is not so m...
The new minimalism at which Martin has arrived is obvious in the oil paintings on show here, and his...
Jasper Johns and Edvard Munch: Love, Loss, and the Cycle of Life
Despite the vast differences in the style and intention of their work, this exhibition attempts to s...
Sophie Jung: ‘I don’t trust language’
The performance artist talks about Chinese encyclopaedias, the Austrian feminist playwright Elfriede...
Two of the 14 original sculptures are accompanied by other work from that time, alongside maquettes ...
Anselm Kiefer weaves myth and the modern era into a characteristically apocalyptic show. But is it a...
Karen Russo: ‘I’ve always liked the idea of making films that were som...
Karen Russo talks about her two most recent films, Haus Atlantis and TET-Stadt, which centre on the ...
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