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Tate Modern Switch House

After more than a decade and over £250m in funds, Tate Modern’s new sibling has opened its doors,...

Watteau’s Soldiers: Scenes of Military Life in Eighteenth-Century France

Offering the quiet thrill of a cool oasis in the park, the Frick Collection has mounted a connoisseu...

Peter Howson: A Survey of Prints

This retrospective of prints produced over four decades by Scottish artist Peter Howson, one-time me...

This is a Voice

This intriguing exhibition attempts to capture the elusive nature of the human voice, with live perf...

Diane Arbus: in the beginning

Burnished by a brilliant installation, this early work shows the storied American photographer alrea...

Ragnar Kjartansson

The Icelandic artist’s first UK survey exhibition serves up a palimpsest of delights that gives co...

Stuart Davis: In Full Swing

Showcasing his work from 1921 to his death in 1964, this exhibition allows the visitor to fully appr...

Tim Slade: ‘The whole point about erasure is to allow you to pretend tha...

The Destruction of Memory charts the global loss of historic artefacts through war and terrorism. It...

Mariko Mori: ‘The ring is a symbol of oneness, completeness and eternity...

The artist talks about her mission to place site-specific artworks honouring nature on the six habit...

Francesca Pasquali: ‘I have a contemporary view of art, so I want to dra...

The Bolognese artist uses everyday materials and plastics to replicate natural folds and textures in...

Marie Yates: ‘In my view, everything is textual, and a text is visual’

A woman artist working conceptually with the landscape since the 1970s, Yates’s work has often bee...

Geoffrey Rigden 1943-2016

Much here is from his house or studio, with a number of paintings stretched up for the first time si...

Jennifer Wen Ma – interview: ‘Throughout history, humans have been try...

Jennifer Wen Ma talks about her new installation, Molar, at Cass Sculpture Foundation, created as a ...

Claire Shea: ‘We were really keen to look at an expanded definition of s...

As the Cass Sculpture Foundation stages its first exhibition of works commissioned by international ...

David Hockney RA: 82 Portraits and 1 Still Life

The brightly coloured faces lining the walls of this exhibition show a human fascination with people...

Philip Hunter: ‘I’ve developed an approach to painting that emulates t...

The Australian artists talks about the influence of Sidney Nolan, his most recent body of works, Geo...

Rana Begum: 'I love using readymade materials in the work'

Studio International visited Rana Begum in her studio in north-east London to talk to her about her ...

Painters’ Paintings: from Freud to Van Dyck

The National Gallery sheds light on the personalities of some of the biggest names in painting, not ...

Georgiana Houghton: Spirit Drawings

She was an abstract painter out of time, a visionary and a maverick, but Georgiana Houghton was also...

The beautiful book: art publishing today

Art books have a special appeal: they are beautiful, collectable objects that are a pleasure to hold...

Moholy-Nagy: Future Present

A major retrospective showcases the work of multimedia Hungarian artist László Moholy-Nagy, who pi...

Susie Hamilton: In Atoms

Concerned with the human condition and the solitary existence of individuals, Hamilton’s paintings...

Yun-Fei Ji: ‘I’m pessimistic about China’

He may use scrolls and work in ink in the millennial-old tradition of Chinese landscape painting, bu...

Jeff Koons: Now

For the second exhibition at his gallery in Vauxhall, Damien Hirst presents more than 30 works by Ko...

Manolo Valdés: ‘I only like apples if they look like Cezanne’s apples...

Like a magpie, taking fragments from works of art that he loves and reinterpreting them in new paint...

Li Jin: Being

Alongside some of his older works, this exhibition focuses on his new, mostly monochrome paintings, ...

Wolfgang Tillmans

What is lost is lost forever, says Tillmans in this politically charged exhibition, which includes p...

Harland Miller: ‘Brevity is no strength of mine’

The writer and artist discusses Berlin, Bowie and alter egos, his show with Blain Southern, and why ...

Dóra Maurer: ‘My work has been based on change, shifting, traces, tempo...

As a new exhibition surveys her 50-years career, the Hungarian artist talks about colour, maths and ...

Almuth Tebbenhoff: ‘I’m wrestling with ideas that are way out of my co...

The sculptor talks about the perpetual puzzle of the cosmos and its vastness, eternity and the meani...

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